On 2002-08-21 15:05, kensuguro wrote:
but I do want to check out his new piano module... if it ever comes out that is... It'll be the first device of that sort of pulsar!
I'm also suprised to hear this about multicomp. Somehow, it's like stuck in my mastering chain and I still can't find anything to replace it. Actually, I like it very much. Maybe I've just become accustomed to it. And for me, ver1.6 cuts the cake but somehow, I don't dig 1.7. Wierd ain't it? It's just kind of funny to hear how something that's worked very well for me doesn't work at all for others. Ain't it a big world.
Oh yeah, one thing about DADEV that we shouldn't forget, though, is that they've made a set of their own atoms. That's something you don't see third party developers do. So if they, or mainly Nikko, gets really into it with the new dev kit, things might start happenin'.
<font size=-1>[ This Message was edited by: kensuguro on 2002-08-21 15:17 ]</font>
Hi Kensuguro!
Have you checked the DSPDev Multicomp bypass? I've done it and saw that it isn't a bypass, the signal is affected even in bypass mode! So how can we truly compare the original signal with the compressed one? This is one point.
Second point: the levels aren't calibrated in the presets. So we have to do it manually by ourselves. This is how we fall in the first point. It is not a professional tool behaviour...

Seems that these presets are just made for hobbyist ears. No offence to you! I admire you so much for your talent and musical abilities

If only I could know all that you know in sound and music!!!

It happens sometimes in my dreams...I admire you too for your cleverness and your cool posts...I stop congratulate you here
Third point: DSPDev/DADev claims that the Multicomp includes six V-Tubes. It is false.
Have you heard the six V-Tubes on the six individuals outputs? Why can't we hear them individually? It's because they doesn't exist. Multicomp contains only one stereo "little V-Tube" that has not the possibilities of the "big" one. I let you also appreciate all the commercial propaganda about the V-Tube: it is only an harmonic distortion that so much others plugins have. My opinion is that the Creamware's tubedrive distortions sounds better.
Fourth point: DSPDev made the Multicomp looks like a hardware compressor, wich is commercially clever but stupid for using it fully: using the mouse on the rotatives buttons is shitty (apologizes for my english, I don't know very much words) for selecting frequencies with our ears.
With a real hardware compressor, the same rotative buttons method would be the best. Conclusion: Multicomp looks like a hardware professional compressor, but is absolutely not. Why this bad ergonomy? DSPDev has choosed the look against the ergonomy, for commercial reasons...
That's why I stopped using it, even if it has cost me good money. I prefer to use the Samplitude's native multicomp wich have a professional ergonomy dedicated to efficacity, quickness and easy use.
Fifth point: look at the DSPDev/DADev site with a critical mind. See how this site is clever in a marketing point of view. See how it suggests insidiously to the people that they will have a Lexicon PCM81 for just x percent of its price.
See how cleverly it suggests you that YOU and your ears only will decide that these plugins are awesome. Yes, this guy knows marketing!!

)
I falled ("felt"?) in the trap one time, but not two lol
And a very last thing: it is very easy to make a multicomp by yourself: just take the free Celmo crossover
http://www.celmo.com and divide the signal in few frequencies bands. Then, compress individually each frequency band as you need it. It will cost you no money but just some work.
Do this with the Vinco: you have now a high end multicomp! Maybe with not too much ergonomy, but there are workarounds (intensive saving of all the included parameters: when you've done it, it's done and re-usable)
Maybe a multicomp is easily feasible with the Modular2 ? Haven't tried it yet, don't know if I'll have the time...
Thank you all!
