Beautiful motive, melody and harmony, very nice indeed! So, very nice piece of music!
The arrangement is not too effective, as many here have stated. I too agree about removing completely all drums, they sound kind of distant, I feel like travelling in a train, but being at the door of the train, without getting in and sitting down, so, it’s sort of un comfortable to be hearing this percussion loop.
As everybody stated, you achieved an extremely good sounding piano, I just hope you remember “in detail” which have been the exact parameters you used, EQ, etc., and use always the same ones, as they are perfect. Just one thing, I think your reverb is slightly hard in the low end; a cut would be in order down there.
I have – if this song was mine – the perfect solution to solve the arrangement problem. I see this song to have been build onto the rhythm so, no doubt, the rhythm is needed, but… how to represent it to truly much the kindness and soft spirit of this music? I would build a small orchestral camera to support it rhythmically. This would be what I would do in your place:
First section: flute, oboe and bassoon
Second section: violins and violas
Third section: cellos and contrabass
I would build with them, interacting in counterpoint, a soft, distinguished rhythmic – harmony – structured to support all needed rhythmically to give the piano the priority it already has in the song.
I would like “so much” for you to do this, I would love to hear this new arrangement, it’s so clear to me that I whish for it!
