Posted: Mon Nov 05, 2007 4:44 pm
Well they have caught my attention.
They described the tweaks I use to do to make the OBX really FAT.
I would open it up and take an Oscillascope to detune the trimpots on the voice cards. The key tech for Getty Lee showed me how to do this.
Good Key Tech's always had the tricks back in the analog days. Overdrive tips for the Hammond, and Leslie 147's, close mic techniques on the lower baffles and horns, etc. I always hung out w/ the tech's, as I was a babe in the woods back then. Nowadays key tech's all act like they are Gods as they push a button for start, stop, and locate. Oh Boy !!
I had a sound man once who used 2 x Roland Space Echo's, and a Teac 4 Track Tape Deck. He would actually use his grimy fingers on the Teac and make the most phenominal loops and delays, while the Roland's did their thing.
Meanwhile Back At The Ranch...........................................
Thanks Stardust.
They described the tweaks I use to do to make the OBX really FAT.
I would open it up and take an Oscillascope to detune the trimpots on the voice cards. The key tech for Getty Lee showed me how to do this.
Good Key Tech's always had the tricks back in the analog days. Overdrive tips for the Hammond, and Leslie 147's, close mic techniques on the lower baffles and horns, etc. I always hung out w/ the tech's, as I was a babe in the woods back then. Nowadays key tech's all act like they are Gods as they push a button for start, stop, and locate. Oh Boy !!
I had a sound man once who used 2 x Roland Space Echo's, and a Teac 4 Track Tape Deck. He would actually use his grimy fingers on the Teac and make the most phenominal loops and delays, while the Roland's did their thing.
Meanwhile Back At The Ranch...........................................
Thanks Stardust.