Windows Vista includes an extensive reworking of core OS elements in order to
provide content protection for so-called "premium content", typically HD data
from Blu-Ray and HD-DVD sources. Providing this protection incurs
considerable costs in terms of system performance, system stability, technical
support overhead, and hardware and software cost. These issues affect not
only users of Vista but the entire PC industry, since the effects of the
protection measures extend to cover all hardware and software that will ever
come into contact with Vista, even if it's not used directly with Vista (for
example hardware in a Macintosh computer or on a Linux server). This document
analyses the cost involved in Vista's content protection, and the collateral
damage that this incurs throughout the computer industry.
Vista's content protection mechanism only allows protected content to be sent
over interfaces that also have content-protection facilities built in.
Currently the most common high-end audio output interface is S/PDIF
(Sony/Philips Digital Interface Format). Most newer audio cards, for example,
feature TOSlink digital optical output for high-quality sound reproduction,
and even the latest crop of motherboards with integrated audio provide at
least coax (and often optical) digital output. Since S/PDIF doesn't provide
any content protection, Vista requires that it be disabled when playing
protected content [Note E]. In other words if you've sunk a pile of money
into a high-end audio setup fed from an S/PDIF digital output, you won't be
able to use it with protected content.
Say you've just bought Pink Floyd's "The Dark Side of the Moon", released as a
Super Audio CD (SACD) in its 30th anniversary edition in 2003, and you want to
play it under Vista. Since the S/PDIF link to your amplifier/speakers is
regarded as insecure, Vista disables it, and you end up hearing a performance
by Marcel Marceau instead of Pink Floyd.

In order to appropriately protect content, Vista will probably have to disable
any special device features that it can't directly control. For example many
sound cards built on C-Media chipsets (which in practice is the vast majority
of them) support Steinberg's ASIO (Audio Stream I/O), a digital audio
interface that completely bypasses the Windows audio mixer and other audio-
related driver software to provide more flexibility and much lower latency
than the Windows ones. ASIO support is standard for newer C-Media hardware,
see for example http://www.cmedia.com.tw/?q=en/PCI/CMI8788. Since this
bypasses Windows' audio handling, it would probably have to be disabled, which
is problematic because audiophiles and professional musicians require ASIO
support specifically because of its much higher quality than the standard
Windows channels.
Vista's content-protection requirements eliminate this one-size-fits-all
design, banning the use of separate TV-out encoders, DVI circuitry, RAMDACs,
and other discretionary add-ons because feeding unprotected video to these
optional external components would make it too easy to lift the signal off the
bus leading to the external component. So everything has to be custom-
designed and laid out so that there are no unnecessary accessible signal links
on the board.
The "final thoughts" section is well worth reading as well - but i'm not gonna paste it all here.
Its not just about ripping stuff and piracy and not being able to do that.. but could have implications on stablity and quality for all of us...


Definition of DRM:
"Digital Rights Management" or "Digital Restrictions Management" or "Defective
Recorded Media". Combine all three and you have a general idea of what DRM
is.
There are no rights for the consumer - i think restrictions is more acurate!
There are some "funny quotes" at the end of the article... so its not all doom and gloom.
Article link: http://www.cs.auckland.ac.nz/~pgut001/p ... a_cost.txt
Peace,
Tom