On 2006-10-09 06:54, legros wrote:
do you think it sounds that i sing from the back of my mouth all the way or only for some parts of the song?
yes, all the time, only during a split second of one 'A-a-ngie' I heard another timbre.
I can't imagine there isn't more possible with any mouth (cavity).
I'm not plei-ing for that vocal technique of classic singers like opera singers.
Pop music offers many examples of great yet very 'faulty' voices, but to my ears your back sounding timbre doesn't sound attractive for that matter, be it a parody or not.
Glad you pic it up as constructive, thanks
edit: about the mix which you couldn't get better as you said:
the voice stands a bit 'naked' in the mix.
To smooth the mix of band and voice you could make smarter use of two or three different reverbs.
One medium hall, one Room or Stage, and one Ambient' or Early Reflections.
The voice can get all of them to some degree, the band will win from room and/or Hall, and the drums love ambient if you wanne keep them dry.
The laughable effect that the track has comes largely from the lonely way the voice is in the mix together with the (parodical) dramatic appeal it seems to have.
The voice as is could also win from some equing, I would nock down the dark area of it, to open up the sound.
A Chorus on (parts of) the drums and some band instruments could give you the wide 'backing' in the picture of the mix.
A reverb on that chorus effect can enforce that glueing effect.
A PsyQ like effect is certainly a good mastering effect for this mix, you can
hear the Fletcher-Manson curve
But all above could dramaticly be nonsense, so you have to try it out

cheers.
<font size=-1>[ This Message was edited by: hubird on 2006-10-09 17:36 ]</font>