<a name="planetz-file"></a><a href="http://www.planetz.com/Pulsar/files/mod ... .rar"><img src="/forums/images/file_icon.gif" border="0" alt=" File"> File</a><BR> <a name="planetz-tag"></a>Type: Effect<BR> <a name="planetz-tag"></a>Pulsar Version: Pulsar All Versions Ok<BR> <a name="planetz-tag"></a>Requires: Adern<BR> _____________________________________<BR><BR> This has been my 'ace in the hole' for some pro sound design work I've been doing over the last half year. I now share it with our wonderful community It really helps me in bringing out depth and spectacular effects when doing sound design. For example, when I have a plain old whoosh constructed out of random fan noises, I usually stick it through this thing and fiddle with the parameters, to get a very dynamic, movie-quality whoosh. It helps with many kinds of creative sound design tasks.
This looks very interesting! Is there any particular reason you've set the L/R times on the delays the way you have, or is this purely experimental tweaking?
Look forward to trying this thanks for sharing.
I use it for just about everything! It's very powerful and you can route different bands to their own stereo insert effects. I'm sorry to say I'm under a NDA contract and can't disclose work I have done which more prominently uses this effect.
Here's a small sound byte in which some of the synthetic FX have been processed through this patch. Maybe later when I have some free time I'll make a better example!
It really helps me in bringing out depth and spectacular effects when doing sound design. For example, when I have a plain old whoosh constructed out of random fan noises, I usually stick it through this thing and fiddle with the parameters, to get a very dynamic, movie-quality whoosh. It helps with many kinds of creative sound design tasks.
