Is there a general rule which describes what the 'width' of a band-pass filter is at a given frequency?
It's just that I haven't come across one which allows you to vary this width (i.e. the frequency range between the high-pass and low-pass ends of the filter). Does such a thing exist?
Royston
Band-pass filters question
Variable Q BP filters are very difficult to make. These are mainly found as peak filters in EQ, but without resonance of course... More common is an 1-, 2-, 3-, or 4-pole BPF, some with selectable pole. Also special is Flexor's BP-4 MultiStage, a variable pole BPF with resonance always from the 4th stage.
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I have a VST plugin called GRM tools whose BPF does just this....you have a handle for each end of the band and can slide them around to your hearts content.....You can get some pretty radical results - transform a mighty fat loop to a tiny little hi-hat etc, but I don't think the sound quality is quite as good as a lot of the Scope filters.
Fun though !
Fun though !
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- Posts: 1963
- Joined: Tue Aug 19, 2003 4:00 pm
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=KAZZZAM!=
It's...Modular Man!!
(Actually, I'm Secret Squirrel[1], not MM)
You have to set-up two things using a hi-pass & lo-pass filter I reckon:
a) have a control for the "BPF"'s c/o frequency (which would control both the HPF and LPF's c/o point together, increasing or decreasing both in unison).
b) have a control for the width of the "BPF" (which would either move the LFP & HPF's cutoffs towards or away from each other)
edit: thinking about it, the controls could be independant, the "linking" (as such) could be acheived just by using suitable MIDI control
Might have a tinker this evening.
Royston
[1] dammit! my secret identity revealed...
<font size=-1>[ This Message was edited by: Counterparts on 2004-08-19 08:37 ]</font>
It's...Modular Man!!

(Actually, I'm Secret Squirrel[1], not MM)
You have to set-up two things using a hi-pass & lo-pass filter I reckon:
a) have a control for the "BPF"'s c/o frequency (which would control both the HPF and LPF's c/o point together, increasing or decreasing both in unison).
b) have a control for the width of the "BPF" (which would either move the LFP & HPF's cutoffs towards or away from each other)
edit: thinking about it, the controls could be independant, the "linking" (as such) could be acheived just by using suitable MIDI control
Might have a tinker this evening.
Royston
[1] dammit! my secret identity revealed...
<font size=-1>[ This Message was edited by: Counterparts on 2004-08-19 08:37 ]</font>