fra77x wrote: You are not wrong...

fra77x wrote: Can you explain me the reason behind the bodyless el. instruments?
Apart from being a clear answer, it sounds like a poem to me, beautiful, thank youwayne wrote:There is a kind of resonant feedback loop between wood and string, it is a two way street. It adds extra information, as well as a feel when playing.
When I was looking for an instrument, my bass stood out against all others for it's acoustic tone when unplugged, and a comfortable feel when handling it.
Graphite guitars seem to suit the era from which they come - 80's & 90's were about cleaning up that dirty old sound and deodourising the funk. A Steinberg bass feels dead in my hands - I would injure myself trying to get some tone out of that! Whereas this particular old Fender has always got something more to give, teaches you things along the way, and gets better and better with age.
I love this symbiotic aspect - a violin maker will often use a virtuoso to break in a new violin for a time, to teach the wood the right way to sound, and start settling the right way.
Tubas, on the other hand, just get more corroded until they die and someone hangs them on the wall of a pub
I was interested in on one of those instruments a time ago, and it happened the same to me, when I tried it I felt disappointed, it sounded like a can with strings. They are good for some slappy songs, when you need a bright sound, but then forguet about it.wayne wrote:A Steinberg bass feels dead in my hands
Honestly, for anyone who has been playing guitars and basses for a long time, the topic it is as obvious as being aware of the existence of tables in a restaurant... only people that have never been to a restaurant can question the existence of tables in there...fra77x wrote:Well i discussed the subject with my friend and yes garyB is absolutely right. The microphonic effect of the coils is a common knowledge between guitar players. My friend also told me that the vintage coils weren't covered with wax and they had very much microphonic effect. So if that is the case, the body colorizes and affects the sound way more than with the situation of electromagnetic induction only. Mechanical disturbances are also taken place. So thanks for enlighting me on that subject.
He he... Good point... hilarious...garyb wrote:but it's kinda disheartening that you believe him and not me....
Most interesting is when the exact same information comes from oneself, without being aware that there are other people saying the same thing, which is what happened for me in the first place. I first knew these facts for myself, as a player and as a luthier, and then found out that many others had discovered the same facts I discovered too.garyb wrote:![]()
there are not many reasons to blindly accept what i say!
it's (almost)always good to test information.
for the first two phrases: don't burn your fingers and try not becoming too fatfra77x wrote: @Nestor
My friend i play faster than your brain can comprehend musical notes. I eat fast too. Be happy with your new present. I can make any piece of wood sing, and any piece of electronic shit sing. So beat it...
No, before having it in my hands, I was like this:fra77x wrote:It's evident. But not a child. Childish...