ave maria (j. s. bach)

[sandrob]

This file has expired and is no longer available here. The owner of the topic can re-upload the file, or post a link to an off-site file. <BR><BR><a name="planetz-tag"></a>Genre: Electronic<BR> <a name="planetz-tag"></a>Uses: Pulsar Synths<BR> copyright © 2002SoundBundle<BR> _____________________________________<BR><BR>

• composer: j.s.bach
• cello: ana rucner
  
• inspiration: WTC tragedy

i use: inferno for bass, synchrotron for synths efects, piano part i play with some pulsar synth... i forget which one
for drum use waldorf atack
cello made by cerutti 1845
sandro

_________________
"without deviating from the norm, progress
is not possible" - frank zappa

<font size=-1>[ This Message was edited by: sandrob on 2002-02-20 10:19 ]</font>

<font size=-1>[ This Message was edited by: sandrob on 2002-03-11 13:18 ]</font>

[zenda]

Hi there.


Well ... a double first:)


Your first response to your tune and my first post on this forum.
Indeed it was as a result of listening to your work that I registered to join. I wanted to express my appreciation of your music.

I would certainly like to hear more of your developing what you are doing with your instruments and Ana on the cello. The combination is very special.

I have been enjoying listening to Vanessa May playing violin.

The cello is another beautiful solo instrument. What especially impressed me was ... how shall I say it ... was the RESPECTFUL tone of the whole peice. Two very different worlds were blending, and indeed they kindof remained separate, like they were on parallel tracks. Definitely together - it was interesting how the beat and the way you had a lot goingon behind the cello but did not let it get in the way [Except for once about three quarters through the song when the woman saying the 'firefighter' bit got in the way just as the cello was shifting its theme. I would have times the voince to come in when the cello was holding its note.

That is the only critisism I have.

Thankyou very much for sharing this peice. i will be a regular member of this forum so I look forward to hearing more of you and Ana.

[sandrob]

Except for once about three quarters through the song when the woman saying the 'firefighter' bit got in the way just as the cello was shifting its theme. I would have times the voince to come in when the cello was holding its note.

you have right! in final remix i will change this and she will say "i am firefighter" again because she's not 100% syncronised with beat beacause i didn't know that i will repeat this sequence trough the song.
i will do some corection in mix too.
thanks, zenda

[cook]

Hey, Sandro,

somehow I understand you very well, you got your heart in the midst of feeling it all, and it's encouraging again! Did that babysong grew in the mid-while?

Btw is that you? (big black-haired-guy - or the guy at the right on your website? )

Did you play Jemala san dragoga on the radio on your island?

greetz!




<font size=-1>[ This Message was edited by: cook on 2002-03-05 14:36 ]</font>

[sandrob]

ha, big black-haired-guy is painter & poet & acter in our videos - i'm guy at the right.
do you been in korcula?
my friends plays song on "radio korcula" where i work. this is small town-radio.
thanks
sandro

[zenda]

Hi again ,,, thought I'd check in and see how you were doing.

The song is still feeling beautiful. I think it is the combination of the four-square beat with the the sensitive 'timing according to feel' of the 'cello

I have been wondering if there might be interesting experiments with this winning combinationi with, for example, Verdi's 'Miserere Chorus' in Il trovatore.


the last week has been quite hard for me, because I and a few of my friends were quite strongly affected as the Memories of the New york tragedy were reawakened as the 'Tribute Of Light' was made to shane at Ground Zero

Anyway, Best wishes to you and Ana.