Studio setup
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Studio setup
My mastering setup is pulsar based
it starts from a pc with wavelab and an rme soundcard
two vst plugs and go out in a modified tube preamp,in a spl qure ,in a focusrtite mixmaster,in a dbx quantum II and then i finish with optimaster on my mac g4.
a friendchip digimax digital patchbay manage the digital input and output.
Now i have some problem with my new studio setup
i start from a pc with scope and a rme soundcard,,two vst plug and go out in a modified tube preamp,in a spl qure ,in a focusrtite mixmaster,in a dbx quantum II.
i would like to re-enter in scope with aes ebu from the quantum II at 24 bit 88,2 khz ,open optimaster and close the mastering routing inside a g5 logic 8 powered with a fireface 400.
make in real time a 16 bit 44,100khz dithering and that's all...........................
but the routing inside the pc don't come well
please give me some suggestion
best regards
gabriele
it starts from a pc with wavelab and an rme soundcard
two vst plugs and go out in a modified tube preamp,in a spl qure ,in a focusrtite mixmaster,in a dbx quantum II and then i finish with optimaster on my mac g4.
a friendchip digimax digital patchbay manage the digital input and output.
Now i have some problem with my new studio setup
i start from a pc with scope and a rme soundcard,,two vst plug and go out in a modified tube preamp,in a spl qure ,in a focusrtite mixmaster,in a dbx quantum II.
i would like to re-enter in scope with aes ebu from the quantum II at 24 bit 88,2 khz ,open optimaster and close the mastering routing inside a g5 logic 8 powered with a fireface 400.
make in real time a 16 bit 44,100khz dithering and that's all...........................
but the routing inside the pc don't come well
please give me some suggestion
best regards
gabriele
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- the19thbear
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thats fine, as Stardust says you're lost nowfromiceland wrote:hi,i made the first work with the new setup.
Wow it plays very well and the sound is exellent
thank you guys
gabriele

you're the only woman here, at least that I'm aware of

Whach your words guys

don't forget to post it in the music section, this one or the next

Scope works well at 88.2kHz, its clock just can't master it. Works fine slaving to external clock though, as fromiceland may have found out in the meanwhile...stardust wrote:scope is not working at 88,2, but 44, 48 or 96.
more has been done with less
https://soundcloud.com/at0m-studio
https://soundcloud.com/at0m-studio
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just in case you prefer 88.2 for the sake of being an even multiply of 44.1 versus 96 as 'uneven' - that doesn't matter much for sample rate conversion.
It's a pretty complex math thing and the final quality of the process depends on how good that specific piece of math is implementated - not on source or destination sample rate.
No problem, tho if one of your boxes works particularily well at that rate - you probably have the RME controll the sample rate anyway.
But it would be nice to have a Scope summing versus the same source summed by the analog thing you mentioned.
Not sure if that's possible at all (due to routing) and afaik it's difficult to get levels precisely even for a valid comparison.
I personally gave up on the subject after reading a big magazine 'shootout' about analog versus digital summing, which had examples faked so obviously that 'shameless' was the bottomline
cheers, Tom
It's a pretty complex math thing and the final quality of the process depends on how good that specific piece of math is implementated - not on source or destination sample rate.
No problem, tho if one of your boxes works particularily well at that rate - you probably have the RME controll the sample rate anyway.
But it would be nice to have a Scope summing versus the same source summed by the analog thing you mentioned.
Not sure if that's possible at all (due to routing) and afaik it's difficult to get levels precisely even for a valid comparison.
I personally gave up on the subject after reading a big magazine 'shootout' about analog versus digital summing, which had examples faked so obviously that 'shameless' was the bottomline
cheers, Tom
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