<a name="planetz-file"></a><a href="http://briefcase.yahoo.com/bc/roberto10 ... ew=l"><img src="/forums/images/listen_icon.gif" border="0" alt=" Song"> Song</a><BR> <a name="planetz-tag"></a>Genre: Acoustic<BR> <a name="planetz-tag"></a>Uses: Pulsar Effects<BR> copyright © Robert<BR> _____________________________________<BR><BR> Just getting the hang of this posting lark. Here's a short piece recorded on and with pulsar and a matrix 1000.
Robert
<font size=-1>[ This Message was edited by: Robert on 2001-10-13 09:29 ]</font>
organum+pulsarum
nice li'l track, although i expected a song from you that would show me everycorner of the room, musically speeking of course 
what is this, 13/4 (i used 9/4 as time signature once, and nobody knew what to do with it.
)
no, seriously, i'm looking forward to hearing some of your 'not the average planetZ stuff'.
what is this, 13/4 (i used 9/4 as time signature once, and nobody knew what to do with it.
)no, seriously, i'm looking forward to hearing some of your 'not the average planetZ stuff'.
andy
the lunatics are in the hall
the lunatics are in the hall
-
paulrmartin
- Posts: 2445
- Joined: Sun May 20, 2001 4:00 pm
- Location: Montreal, Canada
Interesting attempt at expanding on the style of Josquin Desprez(or whichever of his contemporaries you might think of) 
The resonant filter sound in the background is a very tasty "faux-bourdon".
After listening to it 5 times I still have a hard time finding the direction though... Did you improvise or is this written out?
I would check for excessive parallel fifth movement if I were doing this kind of piece.
The resonant filter sound in the background is a very tasty "faux-bourdon".
After listening to it 5 times I still have a hard time finding the direction though... Did you improvise or is this written out?
I would check for excessive parallel fifth movement if I were doing this kind of piece.
Are we listening?..
-
kensuguro
- Posts: 4434
- Joined: Sun Jul 08, 2001 4:00 pm
- Location: BPM 60 to somewhere around 150
- Contact:
Parallel fifths! Agghhhh!! Composition lesson nightmare all over again!!! But they sure do bring out that madrigal (sp?), medieval type of feel.
Yeah.. but no parallel fifths, or fourths, or octaves.. either spread out or close in during such a situation, right? As my professor used to say, "your score should have a very nice figure, like a woman". I love that guy.
I always had problems with parallel movement. Thank GOD music has developed a lot since those days.. phewee!
But they sure do bring out that madrigal (sp?), medieval type of feel.Yeah.. but no parallel fifths, or fourths, or octaves.. either spread out or close in during such a situation, right? As my professor used to say, "your score should have a very nice figure, like a woman". I love that guy.
I always had problems with parallel movement. Thank GOD music has developed a lot since those days.. phewee!
Well, after all my attempts at non-catergorizable music my first post is: Neo-Pagan Rock!
But seriously, this is an example of 16th century polyphony (anonymous composer).
It's an ongoing project of mine, to study counterpoint by inputing pieces into my humble notation programme then arranging them for my set-up, hoping to get to know how to use Pulsar etc. in the process.
I have done quite a few, Palestrina, Byrd, Lassus and there's a Bach piece floating about on this forum somewhere.
Thanks for the comments,
Yours Robert
But seriously, this is an example of 16th century polyphony (anonymous composer).
It's an ongoing project of mine, to study counterpoint by inputing pieces into my humble notation programme then arranging them for my set-up, hoping to get to know how to use Pulsar etc. in the process.
I have done quite a few, Palestrina, Byrd, Lassus and there's a Bach piece floating about on this forum somewhere.
Thanks for the comments,
Yours Robert