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hubird

Post by hubird »

Graphicer Maurits Escher (+ '72) could have done nice prints with these remarkable outlined creatures :smile:
The troubled water makes the picture more abstract already.
nice pics :smile:
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BingoTheClowno
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Post by BingoTheClowno »

Maurits:

Image

Brilliant!

<font size=-1>[ This Message was edited by: BingoTheClowno on 2005-01-19 16:36 ]</font>
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BingoTheClowno
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Post by BingoTheClowno »

On 2005-01-19 16:18, hubird wrote:
Graphicer Maurits Escher (+ '72) could have done nice prints with these remarkable outlined creatures :smile:
The troubled water makes the picture more abstract already.
nice pics :smile:
Maybe he already did... :smile:

Image
hubird

Post by hubird »

Bingo, that picture I had in mind I guess :smile:
Escher was Dutch, prob he only knew 'simple' gooses and roaches (?) :lol:


<font size=-1>[ This Message was edited by: hubird on 2005-01-19 17:03 ]</font>
Immanuel
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Post by Immanuel »


Yeah, just cut your finger, if you want a little bit of attention.




Escher is one of my all time favorites. What a mind, and still so expressive. Imagine being able to do the same with music!!
hubird

Post by hubird »

morphing in surround?
Immanuel
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Post by Immanuel »

Yes, I thought of that, and sure there exists a lot of nice transitions in music. Still it often feels like something else to me. Maybe because sound moves a timeline, and no 2 times exists at the same time without being something different. Whereas a painting exists (IMO) both as a whole and as a timeline if you let your attention shift between different areas/objects. But then, you can make attention shifts with music too. I don't know. Escher seemed to be able to bend physical laws in some of his works, while musicians for good reasons can not play backwards in real time.
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