Acoustic Piano on the Pulsar/SCope
Acoustic Piano on the Pulsar/SCope
Just re-upload it, it was 2001 song and the link was broken...
Enjoy the Piano solo track,
LongStudios
Enjoy the Piano solo track,
LongStudios
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Last edited by LHong on Tue Jul 17, 2007 5:07 pm, edited 1 time in total.
- kensuguro
- Posts: 4434
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Wow, I like the fuga(sp?) style interaction between the two piano parts. Too bad the power of the 500MB sample isn't implemented in its full extent with mp3... But it sounds great as even in mp3. I would have liked some more hammering tones though..
Great piano playing... A little reverb would have been nice but on the other hand, your playing is more clearer without any effects.
The ending's great... the high 9th leaves a strong impression.
A bit generous with the sustain pedal though? Some leftover tones seem to be conflicting with what comes afterwards... well, maybe it's an effect.
Great piano playing... A little reverb would have been nice but on the other hand, your playing is more clearer without any effects.
The ending's great... the high 9th leaves a strong impression.
A bit generous with the sustain pedal though? Some leftover tones seem to be conflicting with what comes afterwards... well, maybe it's an effect.
Thanks for the review again, it really be good place to learn things like this. You guys have great inputs, hope that we can improve the performance in shortly.
The STS-4000/5000 is really limited, which is about 32-Voice polyphony for each MIDI channels. This song is required about more than 80 voice polyphony, we must used STS-4000 and STS-5000 at same time in the project with 2 scope boards (Realtime mixing, without audio sub-mixed). Just like to share more.
Best regards,
Long
<font size=-1>[ This Message was edited by: LHong on 2001-10-27 12:44 ]</font>
The STS-4000/5000 is really limited, which is about 32-Voice polyphony for each MIDI channels. This song is required about more than 80 voice polyphony, we must used STS-4000 and STS-5000 at same time in the project with 2 scope boards (Realtime mixing, without audio sub-mixed). Just like to share more.
Best regards,
Long
<font size=-1>[ This Message was edited by: LHong on 2001-10-27 12:44 ]</font>
Thanks, ken
We have many projects, which are provided audio tracks for video like TV/Karaoke/VCD/DVD and some of commercial. We usualy have about 32~64 tracks per projects. With two scope boards seem be not quite enough yet!
BTW, we try the piano tracks on the STS's samplers just for fun, we mainly used the GigaStudio, it would be much better.
<font size=-1>[ This Message was edited by: LHong on 2001-11-02 01:00 ]</font>
We have many projects, which are provided audio tracks for video like TV/Karaoke/VCD/DVD and some of commercial. We usualy have about 32~64 tracks per projects. With two scope boards seem be not quite enough yet!
BTW, we try the piano tracks on the STS's samplers just for fun, we mainly used the GigaStudio, it would be much better.
<font size=-1>[ This Message was edited by: LHong on 2001-11-02 01:00 ]</font>
I have the STS 4000 and I'm using the STS 2000 because it uses less DSP. Use several of them and you can have all the polyphony you need. I have one STS 2000 playing a 111 meg piano sample. It's divided up because the AKAI CD I got them from is for the AKAI S1000 which limits you to 32 megs per bank, so I have 4 banks all on the same midi channel. I plan to add more STS 2000 as needed. To edit patches I use the STS 4000 and save the patch then put it back into the STS 2000 again.
Correction. I meant 111 megs of samples. I bought the Prosonous Stienway Piano. I was disapointed that all the samples are 22 KHZ. It's 111 megs because they are long samples (no loops), stereo and there is one level of velocity switching. I would have prefered it to be in mono and 44.1 KHZ sample rate but I was not able to find much information on that disk on the net before I bought it. In any event it sounds nice.
Try this, it is free in gigasample format (not sure about akai), it's not bad at all.
http://www.musik.auc.dk/~bovbjerg/piano.html#
Then you will need the translator program like Awave-Studio V8.0
Good luck,
Long
http://www.musik.auc.dk/~bovbjerg/piano.html#
Then you will need the translator program like Awave-Studio V8.0
Good luck,
Long
- paulrmartin
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- Location: Montreal, Canada
- Ben Walker
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Wow, sounds fantastic - great playing and very realistic Piano sound.
Anyone tried 'The Grand' from Wizoo/Steinberg yet?
Looks very interesting - because its modelled you get sympathetic string resonance, etc. MP3 examples are impressive.
Check out http://www.wizoo.com for details.
Ben
Anyone tried 'The Grand' from Wizoo/Steinberg yet?
Looks very interesting - because its modelled you get sympathetic string resonance, etc. MP3 examples are impressive.
Check out http://www.wizoo.com for details.
Ben
braincell,
Make sure that you'll be able to get/control fully dimensional piano-sample, where Velocities and sustains are being expressed dynamically as needed.
Make sure that you'll be able to get/control fully dimensional piano-sample, where Velocities and sustains are being expressed dynamically as needed.
<font size=-1>[ This Message was edited by: LHong on 2001-12-13 18:24 ]</font>On 2001-11-22 13:08, braincell wrote:
I have the STS 4000 and I'm using the STS 2000 because it uses less DSP. Use several of them and you can have all the polyphony you need. I have one STS 2000 playing a 111 meg piano sample. It's divided up because the AKAI CD I got them from is for the AKAI S1000 which limits you to 32 megs per bank, so I have 4 banks all on the same midi channel. I plan to add more STS 2000 as needed. To edit patches I use the STS 4000 and save the patch then put it back into the STS 2000 again.
- paulrmartin
- Posts: 2445
- Joined: Sun May 20, 2001 4:00 pm
- Location: Montreal, Canada
Impressive... It sounds pretty realistic. Somehow, I find that the attacks are sometimes too uniform. Maybe you can find the right setting to reduce the attack (and the brillance) as the velocity decreases. The margin is very small, but when you find the right settings, it adds the little touch which makes all the difference...
How can you have 80 notes of polyphony on this music? Can you explain?
Good work anyhow!
How can you have 80 notes of polyphony on this music? Can you explain?
Good work anyhow!
