kensuguro wrote:piano modeling's pretty impressive. Wide array of timbres. The pianos sound fine. Rhodes is ok. Wurly sounds a bit too barky but not sure if it's the play style (playing with sledge hammers?) or settings. Overall, it feels like the releases are very short and clean. Esp on some of the pianos.. to the point of sounding like the sample was cut off, but that's gotta be a settings thing.
I wonder whether the clav, ep, and vibrophones are all modeled. And the DX.. maybe just a multisample?
General sound engine structure of the Physis Piano:
(H1/H2, upcoming H3 and upcoming sound expansion board(s) for K4/K5 masterkeyboards) ...
Acoustic Piano Model (APM)
Electric Piano Model (EPM)
Wurly Piano Model (WPM)
Clavi Piano Model (CPM)
Acoustic Mallet Model (AMM)
- these 5 are physical modelling -
High Definition Sound Engine (HDSE)
- this is a ROM sample player -
All the ensemble sounds, organ, synth patches, bass & guitar and what else will come or is already there, even not demoed,- is HDSE.
Actually, acoustic pianos seem to be the best, followed by Rhodes, Wurli & Clav,- followed by HDSE ensemble strings.
I´ve seen another short video where the Rhodes sounded MUCH better that the audio demos on the website.
I assume,- it might be a matter of programming to taste to get the modelling sounds right, given the fact there are a s##tload of micro parameters to adjust,- similar to Pianoteq Pro.
The only Rhodes demo I like from Pianoteq Pro is the one from Mad Hatter Studios,- that sounds like Chick Corea.
Most EP demos of Pianoteq sound crap to me but I doubt the engine is,- it´s the users results because they program s##t, cannot play the instrument the way it sounds best (voicing, phrasing & timing),- or both.
In general,- having great coders building an engine doesn´t mean there are great sound designers too, but even if there are and users do audio demos of their tweaked stuff, it can become worst case.
Many youngsters don´t really know how a Rhodes, Wurli or Clav sounded, tweak something and play back sequences w/ that sound which aren´t suitable to trigger that sound at all.
Website´s audio demos might be teasers, but there´s no way around to check out the stuff yourself and decide.
I like, Physis Piano comes w/ the K4 and K5 masterkeyboards giving the option to buy the engine later,- much better for me because I´d like to follow the evolution of the modelling engine a bit longer instead buying the H1 or H2 piano.
kensuguro wrote:
Going 73 isn't bad either (but what the heck are "lightweight hammer keys"?). 88's just sort of baked into my head so I don't even know how not having all 88 is going to feel like, though it's not like I'm using all 88 all the time.
Based on the assumption Physis Piano,- as italians,- use customized Fatar actions and because the Studiologic/Fatar NUMA Concert Piano uses Fatar TP40GH WOOD action and weights about 20 kilos too,- the "lightweigt hammer keys" might be the TP40GH (non wood) action which is lighter,- but both would be "graded hammer" actions.
I think these will also be the newer models w/ "triple key sensors" measuring velocities instead of the older 2 sensor keybeds.
Another option for the "lightweight hammer keys" would be Fatar TP100 L/R or similar. There are varaiations of that keybed too and they are triple sensor too meanwhile when not older actions will be built in.
TP100 is a hammer action, fully weighted, but not graded.
A variant of the Fatar TP100 is also in the Nord Piano 2 as well as in the new Kurzweil Artis.
TP100 variants exist in 88 and 76 keys configurations w/ and w/o aftertouch.
I doubt TP40GH WOOD and TP40GH exist in 76 keys variations, but that might have changed.
Anyway, if the firmware/OS works reliable and the overall build quality of the K4 and K5 masterkeyboards is good,- I´m in the market and would think about the physical modelling/HDSE engine(s) later.
The masterkeyboards come w/ 2 expansion slots, so there might come up a derivate of the H1/H2 engine, maybe physical models and HDSE separately.
We´ll see ..
Bud