Path methany goes hard on Kenny G
Posted: Wed Jul 27, 2011 10:25 pm
lol, just came by this article from a search on general sax topic:
Methany on Kenny G
http://www.johnharle.com/philosophy/art ... ennyG.html
"But when Kenny G decided that it was appropriate for him to defile the music of the man who is probably the greatest jazz musician that has ever lived by spewing his lame-ass, jive, pseudo bluesy, out-of-tune, noodling, wimped out, fucked up playing all over one of the great Louis's tracks (even one of his lesser ones), he did something that I would not have imagined possible. He, in one move, through his unbelievably pretentious and calloused musical decision to embark on this most cynical of musical paths, shit all over the graves of all the musicians past and present who have risked their lives by going out there on the road for years and years developing their own music inspired by the standards of grace that Louis Armstrong brought to every single note he played over an amazing lifetime as a musician."
About Kenny G's recording over Armstrong's tracks.. I mean, Methany wrote it.. that's pretty much a silver bullet through the heart. I'm surprised Kenny G is still breathing. I cannot imagine a bigger piece of rock falling on any musician of any caliber.
I was just laughing through the entire article.
"He had major rhythmic problems and his harmonic and melodic vocabulary was extremely limited, mostly to pentatonic based and blues-lick derived patterns, and he basically exhibited only a rudimentary understanding of how to function as a professional soloist in an ensemble"
thanks for the recap Methany, you just turned my opinions into Methany approved facts, plated with platinum.
Methany on Kenny G
http://www.johnharle.com/philosophy/art ... ennyG.html
"But when Kenny G decided that it was appropriate for him to defile the music of the man who is probably the greatest jazz musician that has ever lived by spewing his lame-ass, jive, pseudo bluesy, out-of-tune, noodling, wimped out, fucked up playing all over one of the great Louis's tracks (even one of his lesser ones), he did something that I would not have imagined possible. He, in one move, through his unbelievably pretentious and calloused musical decision to embark on this most cynical of musical paths, shit all over the graves of all the musicians past and present who have risked their lives by going out there on the road for years and years developing their own music inspired by the standards of grace that Louis Armstrong brought to every single note he played over an amazing lifetime as a musician."
About Kenny G's recording over Armstrong's tracks.. I mean, Methany wrote it.. that's pretty much a silver bullet through the heart. I'm surprised Kenny G is still breathing. I cannot imagine a bigger piece of rock falling on any musician of any caliber.
I was just laughing through the entire article.
"He had major rhythmic problems and his harmonic and melodic vocabulary was extremely limited, mostly to pentatonic based and blues-lick derived patterns, and he basically exhibited only a rudimentary understanding of how to function as a professional soloist in an ensemble"
thanks for the recap Methany, you just turned my opinions into Methany approved facts, plated with platinum.