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filmmusic for a commercial
Posted: Tue Jul 19, 2011 9:41 am
by MCCY
Recorded thisone completely without Scope. Only hardwaregear used: i5 laptop, RME babyface, rode & sennheiser mic.
Re: filmmusic for a commercial
Posted: Tue Jul 19, 2011 8:10 pm
by ChrisWerner
I hope to hear this soon out there. Good job.
Re: filmmusic for a commercial
Posted: Wed Jul 20, 2011 4:50 am
by astroman
it's a cool idea, but the panning just makes me dizzy... (I'm a bit oversensitive to that, tho...)
the bass is somewhat lost with it's short intermezzo, could be more pronounced, but I dunno the pictures
cheers, Tom
Re: filmmusic for a commercial
Posted: Fri Jul 29, 2011 4:23 am
by MCCY
You're right with the panning & there are some more issues. I had one day for the Music and it would have been better to spend some more time on the MS settings. Now there will be a second chance, cause they want to bring the spot to cinema in Hamburg & that will be a new job, to create a cinema sound

- so I will have a look at the bass too. So far the images are so light and happy, that I was indeed very careful setting up the bass.
In fact this was my second project where I didn't use neither scope neither logic audio any more. Reaper & the ability to build own effects in synthmaker replaced logic & Scope completely.
What I miss most in native world is: Scope's routing, Dynatube, B2003, the easy way to look for great synth sounds knowing what U have + maybe most important 100% control over reliable CPU recources to create sounds with no delay.
Martin
Re: filmmusic for a commercial
Posted: Fri Jul 29, 2011 4:54 am
by erminardi
MCCY wrote:
What I miss most in native world is: Scope's routing, Dynatube, B2003, the easy way to look for great synth sounds knowing what U have + maybe most important 100% control over reliable CPU recources to create sounds with no delay.
Martin
back to Sonic|Core!!!

Re: filmmusic for a commercial
Posted: Fri Jul 29, 2011 6:26 am
by ChrisWerner
MCCY wrote:...that will be a new job, to create a cinema sound

- so I will have a look at the bass too. So far the images are so light and happy, that I was indeed very careful setting up the bass...
So will it be a surround production? I am not sure, the study is to long ago, but if I remember right the dolby boxes in a cinema make up the bass by some dBs (10?).
So you have to reduce the bass for the cinema mix by (10?).
Good luck with the job !
Re: filmmusic for a commercial
Posted: Fri Jul 29, 2011 6:57 am
by dawman
Synthmaker Flui-Liq available yet,...?
Many feverish Native boys are always pestering me as Scope scares them since it's such " old " and doesn't have 384k audio...
Re: filmmusic for a commercial
Posted: Sun Jul 31, 2011 10:04 am
by MCCY
Fluliq VST is in that music allready

, but to be honest: I still have no idea how to make it available. I used nearly 100% of the 75000 modules of my synthmaker enterprise version & would like to have some headroom for finishing a public version, but see no need for the pro-version for any other project. The Fluliq VST version I use works very good, but there are some things which make it not a commercial product. Otherwise I still don't want to give it away for free...
I sent soniccore a mail asking for possibility to sell it. They wanted to send me all necessary papers, including Xite special price & SDK 5 info, but so far nothing arrived. It's not important for me to sell it, so if they don't want it for scope it won't be there. I'm quite happy with what I have right now. I'm not gone from scope, but right now big Xite is too much money for me & the small one lacks the mic preamps which make it more complicate for me to use it, because I need a very small portable solution. I guess I will use my desktop PC as hughe Scope standalone Midi instrument or live mixing setup if I ever need such thing again, some day like others did.