Recommend a good reverb
Posted: Thu Nov 29, 2007 9:46 am
I'm thinking about bying a reverb device for scope. What do you recommend?
thanks alot!
thanks alot!
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Recommend a good reverb
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Posted: Thu Nov 29, 2007 12:31 pm
Just an opinion. You should run, not walk, to Sonic Timeworks' website... P100 for $100 bucks is ridiculously cheap.
Posted: Thu Nov 29, 2007 1:04 pm
while you're at it, add the A100 to you cart as well
even a competitor of Warp69 in the native world respectfully admitted his own defeat in the 'small rooms' category...
I mean there's a lot of large cathedral-like ambiences everywhere, but trusty 4-7m sound stages ? it makes things so fu**king real
cheers, Tom
even a competitor of Warp69 in the native world respectfully admitted his own defeat in the 'small rooms' category...
I mean there's a lot of large cathedral-like ambiences everywhere, but trusty 4-7m sound stages ? it makes things so fu**king real
cheers, Tom
Posted: Fri Nov 30, 2007 3:18 am
P100 sounds great but it take almost 3dsp 
Posted: Fri Nov 30, 2007 5:08 am
what is especially good about the p100?? i mean, what makes it better?
Posted: Fri Nov 30, 2007 5:51 am
hearing is believing in this case
afaik there's a demo online, try it yourself
the developer is skilled with a lot of (high quality hardware) reverb units, a true expert in this domain.
In the P100 there is almost no colorization of the original signal and it sounds very transparent.
The CD100 chorus/delay (which you'll receive as a bonus after purchase) is well worth the same amount. Surely among the most lush implementations ever (on whatever hardware you imagine)
the Ambient A100 is the most demanding among these devices regading it's resource requirements - but a class in it's own.
imho it has a very strange (but useful) side effect that when you add a tiny bit of 'small room ambience' to the signal, you'll get a similiar sound print as found on high end analog recordings. Remotely reminds on tape saturation without compressing or so... possibly psycho-acoustic, but it's faking those famous 60's Jazz recording environments in an absolutely convincing way
afaik there's a demo online, try it yourself
the developer is skilled with a lot of (high quality hardware) reverb units, a true expert in this domain.
In the P100 there is almost no colorization of the original signal and it sounds very transparent.
The CD100 chorus/delay (which you'll receive as a bonus after purchase) is well worth the same amount. Surely among the most lush implementations ever (on whatever hardware you imagine)
the Ambient A100 is the most demanding among these devices regading it's resource requirements - but a class in it's own.
imho it has a very strange (but useful) side effect that when you add a tiny bit of 'small room ambience' to the signal, you'll get a similiar sound print as found on high end analog recordings. Remotely reminds on tape saturation without compressing or so... possibly psycho-acoustic, but it's faking those famous 60's Jazz recording environments in an absolutely convincing way
Posted: Fri Nov 30, 2007 6:36 am
P100 remind me to Lexicon PCM-91 ALOT!!! There is no better software for plate then p100 period!!! And i tested ArtsAcoustic, Breverb and CSR many hours...No no there is no anything like that....
Posted: Sat Dec 01, 2007 1:08 am
both P100 & A100 have demos so check it out for yourself, they are good, a while back I only had enough money for one & after listening to them both decided to get the A100 because I was after "real" space, but I really should go back & have another look at the P100 again....