mmm, reggea..., always good to feel that ridm...empty 1, the beat on 3, still a revolutionary and unique concept

Just imagine this picture:
Everybody ready?!!...One...Two...One, Twho, Three, Four and BAAAMMM, everyone diving on that single first One with the energy of an atom bomb

No, doing nothing on that One, that's really Art (or
Culture manj!)

Reggea, my old love, with deeper than deepest Burning Spear at the top
Quite a job you've done.
I guess that your recording/mixing time was limited, yet a sound remark
At least on my (unsurpassed) ADAM nearfields there's a small metallic glow on the highs (cymbal, horns, hats, snare).
Maybe it's due to the phaser you might have used, or to the reverb, or even to the always troubling mics crosstalk (what's the right word for it?).
Not that much, but It was my first thought during the opening.
I always like to see the hats and (some) other percussive sounds so superdry in reaggea, as they contrast so beautifull with the space character of a lot of reggea mixes.
To my taste the hats could be a bit dryer, the short delay line you have in the most part of it is nice, but it deminishes the front/back depth.
But I'm not a (reggea) expert, so forgive me when I'm talking bullshit
Did you concider feeding the track to an attack designer?
It could be good for it, to bring the mix even more up front.
The accentuated style is perfect to try it on the mix as a whole

cheers
<font size=-1>[ This Message was edited by: hubird on 2005-08-24 17:42 ]</font>
<font size=-1>[ This Message was edited by: hubird on 2005-08-24 17:42 ]</font>