niversen wrote:I am a composer (orchestral/film style) and producer.
Good info.
So you have deadlines always and work under pressure ?
niversen wrote:
I have a Solaris hardware synth on order, and am quite impressed with the sound samples from Solaris/Xite synths. Reading the forum, it seems there are many limitations/caveats, and I'm not sure how easily this will integrate.
Just to be precise,- John Bowen´s hardware Solaris synth and XITE-1 are different animals even they are based around the same technology.
Anyway,- congrats to your J.B. Solaris,- but don´t expect it´s 100% issue free.
Some remarks on gear manufactured by very small and/or boutique companies,-
when working under time pressure frequently and dealing w/ deadlines always,- boutique gear is a bit risky in general because everything in regards of service and availablility of parts is significantly different compared to the business structure of well and worldwide established companies.
Think about that in hardware as also in software because there are also the factors manpower and service network.
It might rule for Sonic Core as well as it does for the italian organ company KeyB for example who tried to establish in the US market shortly.
When expecting the gear running 24/7 356 days per year,- have double gear or gear which is exchangable where you´re located the same day or can be serviced the same day.
Same rules for international concert touring.
So,- you´re here @PlanetZ and you know what old Creamware cards and SCOPE are as well as what XITE-1 is,- right ?
Before I buyed XITE-1 in 2012,- I already knew what I´ll buy because I investigated and it was also pretty clear the combination of the S|C hardware & software, 3rd party software and the host computer and it´s OS might cause some problems here and there,- as always when dealing w/ computer gear and software.
As an example,- I never had a crash of SCOPE or the XITE-1 malfunctioning w/ the S|C stock devices and the optional devices like Prodyssey and ProTone.
Actually, I´m not trained w/ Modular (IV) because lack of time,- so no comment on this device.
But yesterday, I had my 1st BSoD w/ XITE-1/SCOPE 5.1 and ZARG Ambient while loading a patch,-
AND after I had updated my WinXP SP3 ...
Well, who to blame ?
S|C, ZARG, my computer hardware or Microsoft ?
To be true,- when I only worked w/ native software like Cubase SX3, Wavelab 4.01b, RME card (I still have it), NI Komplete and an assortment of softsynths and soft sample players etc,- it wasn´t free from problems too and when I worked w/ hardware only in the past it was also not hassle free.
I´d say,- there are issues always, but different ones at different times and being caused by different reasons.
A lot is software incompatibility s##t and software bugs today,- even in hardware instruments,- mainly keyboards and MIDI modules because all is software driven today except you go out and buy a tonewheel-organ or vintage but refurbished analog synths which lack a memory system.
As soon as these come w/ a preset memory system,- there will be some kind of OS in an eprom and the nitemare starts sooner or later.
Now to your questions:
niversen wrote:
1. Ability to use as a VST inside Vienna Ensemble Pro. I was going to put this as a "box of synths" inside a Vienna Ensemble Pro instance.
I don´t have Vienna Ensmble Pro,- so no idea.
If it would ask for XTC or VSTIM MOde,- I´d say,- forget it (for the time being).
niversen wrote:
I was hoping that this would let me use a bunch of great, DSP synths that I could load up without concern for CPU cycles.
Wrong, there´s always concern for CPU cycles,- on XITE-1 as well as on hardware Solaris or in any DSP driven synth out there.
It all depends on the design of the/that synth and HOW the DSP are used.
On XITE-1,- you cannot max out polyphony endless or until ALL DSPs are in use for only just THAT synth.
It´s by reason the DSPs are organized in slots,- 4 in one slot and AFAIK and IIRC,- the main problem is commiunication between DSPs housed in different slots, so you run out of communication lines much earlier than out of DSP power.
Also, when looking at hardware Solaris,- it doesn´t deal w/ "slots" and there are no older 60MHz SHARCs inside because of backwards compatibility,- but nonetheless and even there are running 6 of the 333MHz SHARCs,- the polyphony is limited to 10 voices.
So, there are limited ressources always.
niversen wrote:
This would be with Cubase 7 64 bit, ...
I avoid talking about 64Bit systems because I´m w/ 32Bits upm to now.
niversen wrote:
2. Can I load this thing up with lots of synths?
Yes,- but depends on which synths and complexity of patches.
niversen wrote:
... definitely several Solaris instances, ...
No,- not yet and not in stock configuration.
There are workarounds available and/or in the pipeline, but that´s not the subject here.
Also SCOPE 6, which I believe will come up w/ many improvements, isn´t the subject here because of it´s unavailability up to now.
niversen wrote:
3. I see a lot of posts about limited polyphony of 4,5, or 7 notes. Is that really true?
Yes.
niversen wrote:
Shouldn't be a big issue, but just curious as to why?
It´s the same as w/ any other DSP based synth,- depending on what you program, polyphony decreases.
I can program patches on my 128 voice Kurzweil which end up w/ 3 voices polyphony and the same will happen to your Yamaha Motif as well as Virus TI2 or such.
Use the emulated MOOG filters in the Virus TI2 and it´s polyphony is limited to 8 voices max. p.ex.
niversen wrote:
Shouldn't the DSPs yield lots of polyphony?
Do simple tests,- assign different synths from SCOPE to a single DSP and watch DSP/SAT meter in %,- then look when ONE DSP will be saturated,- it´s about the 5000-6000 mark when DSP and SAT connection errors appear.
I get out between 4 and 8 voices of polyphony w/ every S|C SCOPE stock synth,- small and big ones as well as the optional devices mentioned above,- several synths (up to 9) loaded simultaneously,- a STM2448X mixer loaded, stereo channels active, 4 aux FX, all hardware I/Os in use, 6 busses (ASIO) to record in Studio One Pro, 4 busses (ASIO) back to SCOPE, WAVE driver active, main out and control room out active and some more MIDI stuff loaded.
STS 3000/4000 Sampler in addition w/ 32 voices.
The DSP load of the XITE-1 is about 55% that way,- but you might run out of SAT connections loading the next device.
I´m pretty sure,- there are other combinations possible, maxing out more DSPs because of needing less SAT connections.
Needless to say I try using synth emulations as they were in the past,- so I use Minimax monophonic because it´s a Minimoog D which IS monophonic and I also use the Prodyssey mono- or duophonic even I tested it´s usage w/ 6 voices successfully.
Same rules for Profit which for me was and is a 5-voice synth,- period.
When it comes to the Roland stuff like Uknow7,- I want six (or eight) voices and w/ the Vectron and Lightwave, I want eight for sure.
I just only make it work like the original hardware worked and deal with it like that.
That said,- I´m happy w/ XITE-1 because it also gave me back all the old hardware synths I sold before and in a more or less maintenance free state,- and they sound fat and there´s no latency when using SCOPE standalone,- so what ?
SCOPE standalone is nearly perfect and stable ´til the cows come home until you load some crappy programmed device where "crappy programmed" also means "not optimized yet" because programmed w/ a outdated SDK p.ex..
Well, I see VST/AU hosts crashing all the time when loading a crappy 3rd party plugin,- isn´t it ?
niversen wrote:
Is this related to the posts I see about things "optimized for Scope 5" vs not optimized? How do I know which synths will be "optimized"?
That´s very hard to recognize if at all.
It also needs a definition what "optimized" means.
There´s a difference in bug fixing or optimization.
Some devices have GUI bugs which drive me nuts,- p.ex. the behaviour of the octave switch of OSC #1 in Minimax.
You get the right result soundwise,- but you see no significant change in the GUI when choosing 16' or 8' (or is it 8' and 4',- I forgot ...).
In fact, that needs optimization.
Other than that,- it might be possible optimizing DSP autoload and off-load routines for all the S|C devices and I think many of these are already optimized but not all.
In fact, it´s speculation because I have no clue about development and coding of SCOPE devices for XITE-1.
What happens to the 3rd party stuff is more or less unknown,- as always.
Do 3rd party developers all own and use SDK 5 and will they use SDK6 later ? Who knows ?
niversen wrote:
4. Should I be thinking of this as external hardware? Send it 16 ch. of MIDI on a physical MIDI port, then pipe the audio back into tracks via ASIO or even ADAT? Is that more stable?
Yes.
XITE-1 is a piece of real quality hardware and build like a tank,- it is a hardware sound module, FX device, routing machine incl. mixers and a soundcard, dual mic-pre, DI, AD/DA (and format) converter as well as a MIDI interface.
I wonder what the fuss is with that.
Since decades we route MIDI to racks full of hardware gear and record audio from their audio-outputs.
You will do that w/ yopur hardware Solaris too or will play it w/ your hands an record directly.
If you´re able to play keys,- that´s cool !!!
If you aren´t and need that sequencer crap always for any note and sound event to create,- well, it isn´t.
Who says we need sequencers for composing/ arranging ?
I myself can do that on a piece of paper using a pen.
I understand you need the sequencer because you do big orchestral scores and want to listen to that stuff immediatedly,- so you have to use it, maybe also because you do the layout of the orchestration w/ it.
But that´s possible w/ the SCOPE synths running in SCOPE standalone.
What´s NOT possible is,- total VST integration and total recall,- all-in-one project.
But that´s also the case w/ rewire,- isn´t it ?
You store your independent VST host- as well as Reason-projects for the same song when using rewire and that´s the same w/ SCOPE.
niversen wrote:
5. Can I have some configuration auto-load, including all instruments, effects, program settings within plugins, etc?
Yes, but it depends how much the load is as well what´s loaded automatic and in which sequential order w/ Windows when booting the machine.
niversen wrote:
... or would I have to open up control panels and reload everything including patches to get going every time? Ideally, I would want my "box of synths" to be able to auto-load a standard template and then use program change messages to change patches, etc.
That works w/ the PCI cards and XITE.
There are issues w/ the auto-recall of MIDI presets.
It can be that was intentional and is not a bug because SCOPE wasn´t developed for live performance in 1st order, I think.
So, MIDI presets for the controller assignments have to be created manually, separately saved for each device and to be recalled manually again after a project is up and running.
For me, that´s the most cumbersome issue of SCOPE up to now.
I didn´t try w/ the mixers for now,- so when there were comments here about bugs w/ MIDI presets and mixers,- it seems to be correct.
(But I really HOPE,- it will be history w/ SCOPE 6 !)
niversen wrote:
Thanks in advance for any assistance! This is clearly a very powerful and great sounding device, but it is not clear how well it integrates and how easy it is to use when it is part of a setup rather than the "whole setup".
Xite-1 sounds really good,- but it´s not super easy and idiot proof.
It needs some experience to deal w/ it in our world of lightnig fast growing technology.
For me, as a keyboard player and home studio owner, it was a cool deal.
There´s the (1HU only) unit giving me lots of synths and FX as well as the mixer I need,- routes audio to and from ASIO, I have my ADAT AD/DA connected as well as a, also via ADAT and MIDI connected,- 2nd SCOPE machine w/ 15DSP PCI card.
It integrates well in my studio and I have it all set upm the way I can work with or without XITE-1 or any computer or w/ everything in a combo,- hardware and software,- old and modern gear.
I still have an ATARI Mega STe available for MIDI or a old Mac running Logic 6,- modern DAW machine w/ Studio One and Reason 6.5 too, NI Komplete 7 and so on ...
I think, the physical layout of the studio is much more important than the machines.
Machines all have limitations,- so I combine ´em to get out of the gear what I want.
In regards of XITE-1,- you yourself have to know if you need it and if you want to make that investment.
For me,- it made more sense to buy the XITE-1 than buying a hardware Solaris b.t.w..
I´d like to have both too, but I couldn´t afford.
I still have enough keyboard instruments anyway and when John would decide for building a Solaris rack unit, it would be mine soon I think.
Bud