I only would opt for 24 channels, but that's it

yep .. mixing with the right tools was the primary goal.This one looks like a great recording mixer.
Well, the natural barrier is the amount of dsps you have sitting in your computer, regardless how fast it is.but would really need at least 6 - but why not 12? With DSP allocation this would be great - we are using computers here not hardware, so why not make the most of it!!!
Well I heard about a wish to implement a coffee maker, but I must refuse here .. 1st I'll implement a full body massage functioncongrats Wolf, you put everything in it what's asked for by the community, if I remember well.
Tell me about it. I use two 20" monitors and woke up this morning with a bute of a pimple on my chin!!wolf wrote:32 channels and 8 sends/auxes would introduce the need to switch pages.
I hate that like pimples in my face and would even buy a new monitor to avoid that![]()
I never realise that about unused sends. I just thought that the software would detect if anything was connected and allocate DSP accordingly. I like to use the fx sends for sidechaining, although I have used smaller sub mixers to take care of this.wolf wrote:Btw, there is a difference between inputs and sends:
Unused inputs don't waste dsp, while unused sends do.
Of course sends don't use as much dsp as inputs, but it sums up.
I need it, I need it!!! I don't get any probs using the STM4896 (with 36DSPs and usually upto about 30 channels, 5 buses and 5 fx sends) so shouldn't have any probs with a 32 channel mixer. Any chance of more fx sends/buses aswell though?wolf wrote:So here's the deal:
If this is gonna happen, I don't wanna hear anyone moan about dsp consumption and not beeing able to load plugins while using all 32 channels and/or using multi midi support, even if he has 45 dsps.
You can try it out for yourself: just download the demo, load it twice into scope, activate all channels, then activate all custom midi assignments.
As said I prefer to be able to load i.e. warp's p100&a100 (the mixer is specially optimized for these, btw) and all the other goodies, scope offers.
However if you guys need it ..
2 x WolfMixer16 = 1 x WolfMixer32. 2 x 16 fit perfectly on the screen. A Wolf32 would have to have a 16 x 16 over & under display. Which would look nice. I guess a 32 would be less DSP intensive than 2 x 16 though. Don't know.scope4live wrote: I really need a 32 channel mixer
Yes. That seems to be the direction I've been going in with the Wolf16, though I don't use a lot of synths. Use it as the control centre for everything. Groups is fun. I got the kit going through a 1632 into channel 1 of the Wolf16. Sort it out and leave it. Loads of backing vox tracks onto another through another 1632. Bit wary of the Dynamic mixer. Guitar snippets on another. This is probably the biggest track I'm doing at the moment and with grouping everything I still got a coupla Wolfie's spare.hubird wrote:I think it'd give you a better overview if you group a few well chosen synth stereo pairs in a small mixer before sending them through a (any0 16 ch mixer instead of having a huge 32 ch mixer laying around.
A wolf in hog's clothing!! No, It's really not a hog at all given the extra facilities is offers. Scope has always been a resource management exercise given it's limitations.scope4live wrote:If Wolf says that it's a hog, he designed it, so he would know.
That's the plan.Perhaps just a button to flip the mixer channels displayed from channels 1 - 16 to 17 - 32
It's a little bit more complicated, if you look at the detailsI never realise that about unused sends. I just thought that the software would detect if anything was connected and allocate DSP accordingly.
Unfortunately this would need a complete & basic rebuild of the mixer.Any chance of more fx sends/buses aswell though?
Jimmy, I pm'ed you.After That Transaction, Could I Bother You For A Copy Of My Last Purchase? I Seemed To Have Lost Them During An Install.
uhm, I don't know the internals of the STM mixers.CW mixers do allign every three channels because that is perhaps per dsp . Can you please explain about it some more ?
nope, it means the left and right channel is phase aligned as well as the whole bus&aux mixdown (inserts aren't, otherwise you wouldn't be able to load some demanding fx).By saying this is phase alligned mixer does this mean that all tracks are phase alligned in beetween them ??
In an easy way you can't due to ->Lets say you put a transient designer which has an over 45 samples latency and on another tracks you put a compressor with lookahead of some ms !
How can you allign these automatically, if possible of course ??
Unfortunately not.Do the CW plugins report their latency ?
Well, I could imagine some kind of calibrator like I did in my personal mid-side EQ. However this would need to be executed on any config. change and after project load .. quite uncomfortable, if done manual.Is there any latency detector plugin possible if not the above ?