Example: Would the latency of an O2R also be determined by the amount of FX / plugins, or has Yamaha thought of some sort of standard latency for each channel despite the amount of fx? A highly respected digital desk like the Yammy shouldn't have variable latencies per channel I guess, otherwise you would encounter timing problems in the end.
I mean, suppose you have an EQ and gate on the first two channels, a noisegate on the third and a reverb plus flanger on some other channels, I would expect that processing channels this way has to deliver different latencies, or am I wrong ?
cheers
Ronald
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<font size=-1>[ This Message was edited by: RoonSmits on 2004-12-13 12:38 ]</font>
Has Behringer gone quality ?
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Even a single EQ or filter could cause phasing I imagine: take a LPF, made to counter changes in the signal. Resonance adds more delay, isn't that a feedback loop that, within it's wavelength set by cut-off freq, is fed back to the dry signal? Different types of filters and EQ's (compared the ones in Waves series to each other) function differently and also affect the phase differently. How would it be with analog EQ, let's say on a mixer table?On 2004-12-13 12:35, RoonSmits wrote:
I mean, suppose you have an EQ and gate on the first two channels, a noisegate on the third and a reverb plus flanger on some other channels, I would expect that processing channels this way has to deliver different latencies
Other effects, like a phaser, work on delayed signals mixed with the dry. On a phaser, the time is modulated so the interference works on different wavelenghts usually according to an LFO.
Luckily, the samples delays on our system are not LFO modulated

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